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Today the Wearing of the Green commences as it is Saint Patrick Day. The day all those Irish and claim to be for the day attend a parade then head to a bar for Irish Whiskey, Corned Beef and all things Irish. Then later while recovering can watch Banshees of Inisherin, as a way of understanding Irish culture. The irony being that few Irish actually speak the language and there is a move to restore this language to Ireland’s own. Erin go Bragh!
Parades are a function of holidays to mark the occasion of an event, a holiday or a historical marker. We have many here in the Tri State area thanks to the multiculturalism that dominates the region. There are some constants and with that I have not been nor watched a Parade in decades. One might watch Macy’s Thanksgiving Parade as it is one of the few broadcast nationally but other than that they are the functions of local communities. In Seattle that was Seafair and each neighborhood at one point had their own small scale versions during the two week event that culminated with Hydroplane races on a Sunday. The big finale was the Torchlight Parade the night before. That was a different time. And this symbolic functions have given way to budget reasons, the fear factor and of course the reality that many Cities do not want to pay for the cost of these festivities and sponsors have slowly walked away from that obligation as well for the same reason. And on Wednesday I went to the Musical, Parade. As many before, Musicals often cover dark subjects. Into the Woods is hardly a walk through the woods as it is Sondheim’s take on fairy tales that have less a happy ending, beginning or middle. Likely the best thing I had seen of late with Moulin Rouge a significant contender for that award. When you have a cast that is so symbiotic and talented it makes a musical enchanting and through song, like the Opera, it expresses the darker and broader emotions of the character as if we are hearing them through a window to their heart and soul. Not all are that deep but the idea is to use they lyrics in a way that connects us all. Moulin Rouge is all conventional pop songs, from a wide used catalog and yet they incorporate them in a way that is both amusing and enchanting. It does it better than most without the need for the audience to sing along as most Juke Box Musicals are.
With that Parade is a 20 year old musical and was like Into the Woods, redone at City Center that takes the dinosaurs of the past and revitalizes them with new sound, slight changes of cast and set and leaves most of the original script in tact. The only failure I saw was The Life and I walked out after the 11 o’clock number at the top of the second act. It was why that closed and did not see a second life on Broadway as the other two have. It was DOA. I blame Billy Porter for taking it too far and well too “woke.” This was a work about Streetwalkers/Hookers/Prostitutes/Sex Workers and their Pimps/Sex Traffickers… see what I mean? How many ways to describe one thing, maintain credibility and still not offend. It is exhausting. Either leave it as is and put the Trigger Warning in the program: THIS WAS A DIFFERENT TIME. That should cover it. Parade does not have that problem as it is more than relevant to today and the rise of Antisemitism and Social Justice. And yes it is not ham fisted nor heavy handed, it just left the story as it was and the slight changes were about staging and in turn how the songs were handled and performed.
Parade stars Ben Platt and the crowd was there to see him. That is what gets people to Broadway. Into the Woods had a diverse cast that had someone for everyone and with that it too made additional changes over the course of its life and it still worked. Good works work with anyone willing to work with it. That is why you can see theater live for years on the Stage as it less about the Actors and more about the story. But having seen Ben Platt in the now closed Evan Hanson which had numerous changes some more successful than others, showcased his talent but it has truly evolved into something more resonant. His vocal skills are magnificent. His female counterpart also equally so and the remaining cast of Broadway professionals are well suited for this work that has them working more in tandem to each other than in connection to each other. This works as the idea is that the main focus is on Leo Frank, a real person in the turn of the Century who lives and works in Alabama. Already a fish out of water, he is a New Yorker, living in the South and a Jew in a place of heavy Christianity. He has a demeanor that to say the least is off putting and perhaps intimidating to those who don’t know people like him or his kind. This is an old story that again in the South resonates well. The South has a real problem with outsiders. The first question asked, “Who are your people and where are they from?” says it all. And in this story, Leo’s wife is Jewish but she is SOUTHERN. Those are her people and that is where she is from and she discusses the hold it has on her which Leo does not understand at all. Trust me folks they are not just “Jew Haters” or Racists they are Nativist that see the world as connected through only the prism of Southern views. They have a hierarchy and structure based on class and with that the racial and religious distinctions are in place but it is about history and connection to the region that matters. So the Pencil factory Leo works for is a Jewish owned business, it brings work to the community and with that the family is respected and accordingly acknowledged. I want to point out that the Lehman family of the infamous bank started in the same region. Money is the key to success and acceptance. The rest is just part of the landscape.
One review I read was of course a condemnation of the South, wrong and wrong again. The other in the Times, a much more nuanced and affective one which discusses what I refer to as the conundrum affect quite well. The idea that you can be welcomed and that same welcome mat that is a part of the Southern mindset aka “hospitality” can get yanked right back out when the collective decide you are no longer welcome is quite true. The Governor who instigated the investigation into the Frank case was quickly voted out of office, replaced by the District Attorney who prosecuted him. Wow sound familiar? Could be RIPPED FROM THE HEADLINES! (where have I heard that before?) And despite the commutation of the sentence, Frank was kidnapped from the jail and lynched. Hmm, where I have read that before? Oh, To Kill a Mockingbird, written over 45 years later from a Woman raised in the South. The parallels are not lost here at all. The Till Case is another. And later in the 60s the Mississippi Burning case where two white Jewish men were killed with a Black man when working for CORE regarding Voter Registration. I have long said the South is complicated and their history makes it impossible to not conclude there is something wrong there. However, I am not sure it can all be blamed on the Civil War, but I can say that what ostensibly became economic sanctions (aka moving all industry and manufacturing to the Midwest and North), be they deliberate or not and leaving the South to Agricultural and lower scale wages and growth; the endless mockery and derision by the supposed elite, and the role of Religion has contributed to this. And despite the presence of numerous Colleges and Universities in the region, the reality is the lack of education and influence other than the top 3-5 families ( a sort of norm there) have led to much of this. Progeny and Nepotism is by far a larger problem than many realize. And yet the North is hardly exempt from any of it. Any of it.
And with that the Frank case is undergoing review. And with that the Atlanta Child Murders another. There is a podcast that discusses the details in this case that does question that investigation and ultimate conviction of Wayne Williams. There is something wrong that can be righted, but it doesn’t change the fact that we have a history of bigotry and prejudice that is rising again. It is less about Prosecution but more about Persecution. Our history of abuse and neglect be it about Race, Religion or Gender and Sexuality has always been a problem, and with that we can word police, protest and cancel all those who simply don’t get it. Our history will always be a part of our present and we must accept it, acknowledge and move away from it – but how? It is that which will always divide us.
Fulton DA review board to re-examine Wayne Williams, Leo Frank cases
Atlanta Child Murders By Christian Boone, The Atlanta Journal-Constitution May 7, 2019
They were the defendants in the most sensational murder trials in Fulton County history. Now, the cases against Wayne Williams and Leo Frank are set for a thorough review by the same office that secured their convictions.
They will be re-examined by Fulton District Attorney Paul Howard’s new Conviction Integrity Unit, an eight-member panel consisting of three Fulton prosecutors, one defense attorney, lawyers from the Georgia Innocence Project and the NAACP, a representative from the county’s faith community, and an attorney or administrator from a local college or law school.
The unit, mirrored after similar review boards nationwide, will recommend to Howard which cases merit a fresh look. The district attorney will then decide whether they should be re-adjudicated.
Williams, 60, who is serving two life sentences for the murders of two young men, has been accused for nearly four decades of being the perpetrator of the Atlanta Child Murders. Though Williams was never charged in any of the children’s deaths, 10 of their murders were introduced into evidence at his 1982 trial. Prosecutors argued there was a similar pattern to the deaths that pointed to Williams’ involvement.
“We’re going to make a broader inspection of the entire period of time,” Howard said.
Atlanta police and the GBI are also assisting in the overall effort to answer lingering questions about the case, as Mayor Keisha Lance Bottoms announced in March.
“We’re going to look at all of the homicides that involved children at the same age and methods as in the Wayne Williams case,” Howard said Tuesday. “We’re going to collect all the forensic evidence we can and see where it leads us.”
The Frank case helped inspire the creation of the new unit, he said.
Frank, a Jewish pencil factory superintendent, was sentenced to death in 1915 for raping and killing 13-year-old Mary Phagan. The verdict was based largely on the testimony of a janitor, Jim Conley, aided by anti-Semitic fervor. In 1982, a death bed confession by Alonzo Mann, a former office boy at the factory, confirmed what many thought all along. Mann said he witnessed Conley carrying Phagan’s body to the basement of the factory on the day of her death. He kept silent, he said, because Conley threatened to kill him.
Georgia’s governor at the time of the Frank trial, John Slaton, commuted Frank’s death sentence to life in prison. Soon after, a group of Cobb County civic leaders — Phagan was from there — forcibly abducted Frank from a state prison farm in Milledgeville, returned to Marietta and hanged him from an oak tree on the property of a former sheriff, William J. Frey.
Former Gov. Roy Barnes, who will serve as a consultant to the Conviction Integrity Unit, had lobbied the district attorney to re-examine Frank’s case.
At around the same time, Howard had learned of new evidence that cast doubt on the conviction, under his watch, of Frederick Gant for the 2002 murders of Jonathan Wilder and Zerious Jordan. Gant was indicted 11 years later after a neighbor, Major Smith, told police he witnessed Gant shoot the men. After Gant was sentenced to life in prison, his defense lawyer came forward with evidence that placed Smith in jail, under an alias, at the time of the murders. A new trial was ordered, without Smith’s testimony, and Gant was acquitted.
“That convergence of things … showed to me that clearly something needed to be done,” said Howard, adding that his efforts to fund the unit were denied three times by Fulton commissioners. “What we’re going to do is give up one of our regular prosecutorial positions and turn that over to this Conviction Integrity Unit.”
Asked if he’s concerned about the financial implications, through civil litigation, that could result from re-examining closed cases, Howard said, “My belief is if someone was wrongly convicted they should be compensated.”
Steven Lebow, rabbi of Temple Kol Emeth in Marietta, who for years has lobbied the state to pardon Frank, expressed gratitude that his conviction is finally being reviewed.
“If you want to make the future good, you have to make the past right,” Lebow said.
Barnes said he is convinced that will happen.
“There is no doubt in my mind, and we’ll prove it at the appropriate time, that Leo Frank was not guilty,” Barnes said. “We can’t right all wrongs. However, I think it’s a bad thing if we can never admit we’re wrong. This gives us a good view of history to make sure we’ve got it right.”